| Abara | ![]() |
The ribs |
| Ago | ![]() |
Jaw |
| Aiki otoshi | ![]() |
entering more deeply and picking up uke's off-side leg |
| Aikido | ![]() |
The way of harmony with Ki |
| Arigato | ![]() |
Thank you (informal) |
| Ashi | ![]() |
Leg |
| Ashikubi | ![]() |
Ankle |
| Asoko | ![]() |
Over there |
| Atama | ![]() |
Head |
| Atemi-waza | ![]() ![]() |
Techniques to strike a vital point |
| Atemi | ![]() |
Strike to a vital point |
| Ato | ![]() |
Move back |
| Bokken | ![]() |
Wooden sword |
| Bokuto | ![]() |
Wooden sword |
| Budo | ![]() |
Martial way |
| Chokkaku | ![]() |
Right angles |
| Chokusen | ![]() |
A straight line |
| Chototsu | ![]() |
Atemi point between the eyes |
| Chudan-zuki | ![]() |
A punch to the abdominal region |
| Chudan | ![]() |
Middle kamae, sword in middle, seigan is a chudan gamae. |
| Chudan | ![]() |
Middle |
| Daitai | ![]() |
The thigh |
| Dan | ![]() |
More advanced grades, from 1 to 10: Shodan ,
Nidan , Sandan ,Yondan ,
Godan , Rokudan ,Nanadan , Hachidan ,
Kudan ,Judan ![]() |
| Denko | ![]() |
Atemi point at the floating ribs |
| Dojo-cho | ![]() |
"Leader" of a dojo |
| Dojo | ![]() |
Lit. "way place" |
| Dokko | ![]() |
Pressure point behind the ear |
| Domo Arigato Gozaimas'ta | ![]() |
Thank you very much (very formal) (for something that has just ended) |
| Domo Arigato Gozaimasu | ![]() |
Thank you very much (very formal) (for something that is happening) |
| Domo Arigato | ![]() |
Thank you (formal) |
| Domo | ![]() |
Thanks (informal) |
| Doshu | ![]() |
Head of the way (currently Moriteru Ueshiba, grandson of O Sensei) |
| Dozo | ![]() |
Please go ahead |
| Embu gi | ![]() |
Demonstration top / uniform. |
| Empi | ![]() |
The elbow |
| Enten-jizui | ![]() |
Moving and turning freely |
| Eri | ![]() |
Lapel; collar |
| Fukushiki-kokyu | ![]() |
Abdominal breathing |
| Fukuto | ![]() |
Atemi point just above inside of knee |
| Ganmen | ![]() |
The face |
| Ganseki otoshi | ![]() |
Arm bar with elbow braced over shoulder |
| Gedan-zuki | ![]() |
Downward punch |
| Gedan | ![]() |
Low |
| Gedan | ![]() |
Lower level, sword pointed down. |
| Gekon | ![]() |
Pressure point below lower lip |
| Genshin | ![]() |
Intuition |
| Giri | ![]() |
Duty; What you have to do |
| Gokoku | ![]() |
Pressure point in fleshy area between thumb and forefinger |
| Gokyo | ![]() |
5. principle = kuji-osae |
| Gomen nasai | ![]() |
Excuse me, I'm sorry |
| Gyaku-uchi | ![]() |
Any reverse strike |
| Gyaku-zuki | ![]() |
Punching with the rear hand |
| Gyaku | ![]() |
Reverse, opposite, inverted |
| Gyakute-dori | ![]() |
To grasp with one's hand reversed; to grasp and opponents right wrist with your left hand |
| Hai | ![]() |
Yes |
| Haishu | ![]() |
Back of the hand |
| Haito | ![]() |
Ridgehand |
| Haiwan | ![]() |
Back of forearm |
| Hajime | ![]() |
Start |
| Hakama | ![]() |
Split skirt, wide legged pants. |
| Hakyo | ![]() |
8. principle = kote-ori-kakae-kimi, kuji-dori = Nikkyo in which his elbow is in your armpit and his hand is pulled forward; Pinning their hand with your foot |
| Hanashi-waza | ![]() |
Techniques from escaping from holds; also known as hazushi-waza |
| Hanmi-handachi waza | ![]() ![]() |
One person standing, one person sitting techniques |
| Hanmi | ![]() |
Half forward stance. |
| Hanshi | ![]() |
Highest title from ZNKR, must be 55 or older and 8 dan. |
| Hantai-ni | ![]() |
In the opposite direction |
| Hantai | ![]() |
The other way around |
| Happo-baraki | ![]() |
To be totally aware of ones surroundings |
| Happo | ![]() |
The eight sides; in all directions |
| Hara | ![]() |
The abdomen, stomach |
| Hasso gamae | ![]() |
Figure 8 stance, sword by side of head. Usually Hasso Hidari, sword on right, left foot forward. |
| Hayaku | ![]() |
Quickly |
| Heiko | ![]() |
Parallel |
| Henka waza | ![]() |
Varied technique. Especially beginning one technique and changing to another in mid-execution |
| Hera | ![]() |
Peg in back of Hakama. |
| Hidari | ![]() |
Left |
| Hiji dori | ![]() |
Elbow grab |
| Hiji-zume | ![]() |
Atemi point on inside of elbow |
| Hiji | ![]() |
Elbow |
| Hiki | ![]() |
Pull; tug |
| Hineri | ![]() |
A twist |
| Hitai | ![]() |
Forehead |
| Hito-e-mi | ![]() |
Blending with motion of attack |
| Hitoemi | ![]() |
Equal stance, feet parallel forward |
| Hitori waza | ![]() |
"invisible partner practice" |
| Iai goshi | ![]() |
Hips lowered, stable position. |
| Iai hiza, Tate hiza | ![]() |
Kneeling on one calf. |
| Ibuki | ![]() |
A breathing method featuring a long exhalation, followed by a short cough to clear lungs |
| Ichimonji | ![]() |
A straight line |
| Ido | ![]() |
Movement |
| Idori | ![]() |
Techniques practiced from seiza |
| Iie | ![]() |
No |
| Ikki-ni | ![]() |
In one breath; instantly |
| Ikkyo | ![]() |
1. principle = oshi taoshi, ude osae |
| Ima | ![]() |
Now |
| In-ibuki | ![]() |
Internal (quiet) breathing |
| Ippon-ken | ![]() |
An one-knuckle fist |
| Irimi nage | ![]() |
Entering throw ("20 year technique") |
| Irimi | ![]() |
Entering |
| Jiju waza | ![]() |
Freestyle practice of techniques. Usually a set of attacks or techniques. It is different from Randori where everything is allowed. |
| Jinchu | ![]() |
Pressure point on upper lip below nose |
| Jinkai-kyusho | ![]() |
Vital points on the human body |
| Jintai | ![]() |
The body |
| Jo | ![]() |
Short staff (~130 cm length) |
| Jodan-zuki | ![]() |
Upper strike |
| Jodan | ![]() |
High |
| Jodan | ![]() |
Upper level, sword above head. Usually Hidari Jodan, left foot forward. |
| Joseki ni rei | ![]() |
Bow to the high section of the dojo |
| Juizo | ![]() |
The kidney area |
| Juji nage, Juji garami | ![]() |
Arm entwining throw ("No. 10 throw", since the arms form the Japanese sign for 10 "+". arms crossed, elbows locked) |
| Junchu | ![]() |
Atemi point on the upper lip |
| Kaeshi-waza | ![]() |
Counter techniques |
| Kaeshi-zuki | ![]() |
Counter thrust |
| Kaicho | ![]() |
"Owner" of school (organization) e.g. Sei Do Kai |
| Kaiten nage | ![]() |
Rotary throw. Uchi-Kaiten nage and Soto-Kaiten nage (inside and outside) |
| Kaiten-juki | ![]() |
The axis of rotation of a technique |
| Kaiten | ![]() |
Rotation |
| Kakato | ![]() |
The heel of the foot |
| Kakuto | ![]() |
Back of the wrist (for a strike) |
| Kamae | ![]() |
Posture, stance. |
| Kamiza ni rei | ![]() |
Bow to Kamiza (gods) |
| Kan | ![]() |
Intuition |
| Kancho | ![]() |
"Owner" of school (building, hall) e.g. Yugen Kan |
| Kansetsu-waza | ![]() |
Dislocation techniques |
| Karame | ![]() |
To tie up; to arrest |
| Karami | ![]() |
An entanglement |
| Karui-geiko | ![]() |
Light, easy practice |
| Karuma | ![]() |
like waki gamae, blade horizontal. |
| Kashaki-uchi | ![]() |
Continuous attack |
| Kashi | ![]() |
Legs |
| Kasumi | ![]() |
Arms crossed over to hide technique (mountain mist). |
| Kata dori | ![]() |
Shoulder hold |
| Katagatame | ![]() |
A variation of Kaiten nage where you lock your opponents shoulder and bring him directly to the ground in a lock |
| Katame-waza | ![]() |
Grappling techniques; consisting of osae waza, kensetsu waza, and shime waza |
| Katate dori | ![]() |
One hand holding one hand. |
| Katate-uchi | ![]() |
One-handed strike |
| Katate | ![]() |
One hand |
| Keichu | ![]() |
Atemi point on back of neck |
| Keiko gi, do gi, gi | ![]() |
Practice uniform. |
| Kenkokotsu | ![]() |
Shoulder blades |
| Kesa | ![]() |
Lapel / part of monk's costume hanging from left shoulder. |
| Kiai | ![]() |
A shout delivered for the purpose of focussing all of one's energy |
| Kihon-waza | ![]() ![]() |
Fundamental techniques |
| Kihon | ![]() |
Fundamental |
| Kikan | ![]() |
Trachea |
| Kiku | ![]() |
Lower |
| Kiyotsukete | ![]() |
Be careful |
| Kiza | ![]() |
Kneeling, but up on the toes. |
| Kohai | ![]() |
Junior student |
| Koko | ![]() |
Area between thumb and forefinger |
| Kokoro-gamae | ![]() |
Mental attitude |
| Kokoro | ![]() |
Spirit, will, heart, intuition, mood |
| Kokutsu | ![]() |
Backward leaning |
| Kokyu dosa | ![]() |
Breath-power movement (from seiza) |
| Kokyu ho | ![]() |
morotetori Kokyu nage or ryotemochi Kokyu nage ude-oroshi irimi |
| Kokyu nage | ![]() |
Breath throw (There are a zillion of these in Aikido. Most of them just variations of the basic techniques) |
| Komi | ![]() |
Coming close or drawing near. |
| Kongo | ![]() |
Blade vertical in front of face. |
| Koryu | ![]() |
Old style |
| Kosadori | ![]() |
hand grab (Katate dori ai-hanmi) |
| Koshi nage | ![]() |
Hip throw |
| Koshiita | ![]() |
Back plate on Hakama. |
| Kote Gaeshi | ![]() |
Wrist turn-out |
| Kote | ![]() |
Wrist |
| Koutai | ![]() |
Change |
| Kubi-naka | ![]() |
Atemi point at base of skull |
| Kubi | ![]() |
Neck |
| Kujiki | ![]() |
Strain |
| Kukyo | ![]() |
9. principle = Inverted nanakyo |
| Kumijo | ![]() |
Staff partnership practices |
| Kumitachi | ![]() |
Sword partnership practice |
| Kushin | ![]() |
Springing in to attack |
| Kusshinuke | ![]() |
To dodge an attack |
| Kyoshi | ![]() |
Middle title from ZNKR, must be 7th dan. |
| Kyu | ![]() |
Student grade, from 10 up to 1, the highest:
jukyu, kukyu, hachikyu, nanakyu, rokyu , gokyu
, yonkyu , sankyu
, nikkyu , ikkyu
![]() |
| Kyusho | ![]() |
Vital point on body |
| Maai | ![]() |
Combat engagement distance |
| Mae-no-sen | ![]() |
Taking the initiative; Attacking the instant your opponent thinks about it |
| Mae | ![]() |
Forward |
| Maki otoshi | ![]() |
nage ends up down on one knee, having thrown uke over nage's shoulder |
| Maki | ![]() |
Wrapped around |
| Massugu | ![]() |
Straight ahead |
| Mata | ![]() |
The thigh; the groin |
| Matadachi | ![]() |
Split in side of Hakama. |
| Mate | ![]() |
Wait |
| Mawashi | ![]() |
A turn; a rotation |
| Mawatte | ![]() |
Turn around |
| Men-Uchi | ![]() |
Strike to head |
| Men | ![]() |
Head |
| Migi | ![]() |
Right |
| Mikazuki | ![]() |
Atemi at corner of jaw |
| Mimi | ![]() |
Ears |
| Misogi | ![]() |
purification ceremony |
| Moku roku | ![]() |
A catalog of techniques |
| Mokuso | ![]() |
Close the eyes, meditation |
| Mokuso | ![]() |
Meditation |
| Mon | ![]() |
Family crests on uniform |
| Montsuki | ![]() |
Wide sleeved top with Mon on chest, sleeve and back. |
| Morote dori | ![]() |
Two hands holding one hand. |
| Morote | ![]() |
Both hands |
| Mudansha | ![]() |
Members with Kyu grades |
| Mukozune | ![]() |
Atemi point in middle of shin |
| Mune dori | ![]() |
One or two hand lapel hold. |
| Mune tsuki | ![]() |
Thrust toward knot on obi |
| Mune | ![]() |
Chest |
| Munen mushin | ![]() |
Striking without conscience |
| Munen muso | ![]() |
The goal of Zazen |
| Murasame | ![]() |
Pressure points on each side of neck behind collar bone |
| Musubi | ![]() |
Ending, conclusion, union |
| Nagashi waza | ![]() |
Flowing from one technique to next |
| Nagashi | ![]() |
Flow |
| Nage | ![]() |
Doer of the technique (defender) |
| Naike | ![]() |
Pressure point on inside of ankle |
| Naka ni | ![]() |
To the center |
| Naka | ![]() |
Center |
| Nanakyo | ![]() |
7. principle = Yonkyo applied to back of wrist |
| Naname | ![]() |
Diagonal |
| Ne waza | ![]() |
Grappling techniques |
| Nikkyo | ![]() |
2. principle = Kote mawashi, kotemaki |
| Ninjo | ![]() |
What you have to do |
| No | ![]() |
Possessive particle of speech |
| Nobashi | ![]() |
Stretched out |
| Nogare | ![]() |
Breathing method featuring long exhalation with sharp gasp |
| Nuki | ![]() |
Pull |
| Nukite | ![]() |
Ends of stiffened fingers |
| O Sensei | ![]() |
Great Teacher (Ueshiba, Morihei) |
| Obi | ![]() |
Belt (White belt ,
Black belt ![]() |
| Oi-zuki | ![]() |
A step-punch |
| Oji waza | ![]() |
To block and then counterattack |
| Oji | ![]() |
A response |
| Omote waza | ![]() |
Techniques that are revealed to the public |
| Omote | ![]() |
Front |
| Onegaishimasu | ![]() |
Please (when asking for something, usually as in Please lets practice together) |
| Osae waza | ![]() |
Pinning techniques. |
| Osae | ![]() |
Press; push; to immobilize |
| Otagai ni rei | ![]() |
Bow to each other |
| Otoshi | ![]() |
Dropping |
| Randori | ![]() |
Free style |
| Rei | ![]() |
Bow |
| Reigi | ![]() |
Etiquette; also reishiki |
| Renshi | ![]() |
Title bestowed from ZNKR in addition to Dan ranks. |
| Renshu | ![]() |
Hard work on basics |
| Ritsurei | ![]() |
A standing bow |
| Ritsuzen | ![]() |
Standing meditation |
| Rokkyo | ![]() |
6. principle = hiji-kime-osae or waki-katame or ude-hishigi. |
| Ryokata dori | ![]() |
Grabbing both shoulders. |
| Ryote dori | ![]() |
Two hands holding two hands. |
| Sabaki | ![]() |
Body motion |
| Saho | ![]() |
The left direction |
| Sankaku | ![]() |
Triangle |
| Sankyo | ![]() |
3. principle = Kote hineri, shibori-kime |
| Satori | ![]() |
Enlightenment |
| Seigan | ![]() |
Natural step, fundamental kamae. |
| Seika-tanden | ![]() |
Lower abdomen |
| Seiken | ![]() |
Front of fist |
| Seikichu | ![]() |
The spine |
| Seiza | ![]() |
Kneeling on both calves. |
| Seme-guchi | ![]() |
An opening for an attack |
| Semete | ![]() |
Attacker |
| Sempai | ![]() |
Senior student |
| Sen-no-sen | ![]() |
Seizing initiative just as opponents initiates attack |
| Sen | ![]() |
The initiative; also 1000 |
| Senaka | ![]() |
The back of the body |
| Senjutsu | ![]() |
Tactics |
| Sensei ni rei | ![]() |
Bow to Sensei |
| Sensei | ![]() |
Instructor |
| Sente | ![]() |
The person who takes the initiative |
| Shi waza | ![]() |
A counter technique |
| Shi | ![]() |
A (samurai) person |
| Shihan | ![]() |
A senior teacher, properly used within the school only, when outside, use Sensei |
| Shiho nage | ![]() |
Four direction throw |
| Shiki | ![]() |
Ceremony, style, form |
| Shikko | ![]() |
On one's knees |
| Shinai | ![]() |
Bamboo sword |
| Shinshin shugyo | ![]() |
Mind and body training |
| Shinshin Toitsu | ![]() |
Mind and body unified |
| Shinshin | ![]() |
Mind and body |
| Shintai | ![]() |
The body |
| Shinzen ni rei | ![]() |
Bow to shrine |
| Shita hara | ![]() |
Lower abdomen |
| Shita-no | ![]() |
Of the lower part |
| Shita | ![]() |
Down |
| Shizoku | ![]() |
Safe spot |
| Sho | ![]() |
Small |
| Shomen uchi | ![]() |
Overhead strike to the head. |
| Shomen | ![]() |
Face |
| Shomen | ![]() |
Straight ahead |
| Shoshin | ![]() |
Beginners mind |
| Shuchu | ![]() |
Concentration |
| Shugeki | ![]() |
Attack |
| Shugyo | ![]() |
Training, pursuit of knowledge |
| Shuhai | ![]() |
Back of the hand |
| Shuto | ![]() |
Edge of hand |
| Sode dori | ![]() |
Sleeve grab |
| Sode | ![]() |
Sleeve, on practice top. |
| Sode | ![]() |
Sleeve |
| Soke | ![]() |
Head of style (actually head of family, unifier of gods and lineage) |
| Sokei | ![]() |
Groin |
| Soko | ![]() |
There, that position |
| Sokuso | ![]() |
Tips of toes (for kicking) |
| Sokutei | ![]() |
Bottom of heel |
| Sokuto | ![]() |
Edge of foot |
| Soto | ![]() |
Outside |
| Sudori | ![]() |
Momentum |
| Sukashi waza | ![]() |
Techniques performed without allowing the attacker to complete a grab or to initiate a strike. |
| Sukui | ![]() |
Scooping |
| Sumi Gaeshi | ![]() |
corner throw |
| Sumi otoshi | ![]() |
Corner drop |
| Sumimasen | ![]() |
Excuse me (to attract attention) |
| Sutemi waza | ![]() |
a technique accomplished by sacrificing your body |
| Suwari waza | ![]() |
Techniques executed with both uke and nage in a seated position. |
| Suwatte | ![]() |
Sit down |
| Tabi | ![]() |
Japanese sock-slippers used in dojo. |
| Tachi dori | ![]() |
Sword takeaways |
| Tachi waza | ![]() |
Standing techniques. |
| Tachi | ![]() |
Standing. |
| Tai-atari uchi otoshi | ![]() |
from Yokomen uchi, entering and blocking.,Uke gets thrown backwards |
| Tai-atari | ![]() |
Body contact |
| Tai-chikara | ![]() |
External power (muscle) |
| Tai-no-henko | ![]() |
Reversing the body's position |
| Taijutsu | ![]() |
Body art |
| Taisabaki | ![]() |
Body motion |
| Tanden | ![]() |
Abdomen |
| Tanin-geiko | ![]() |
Practicing with multiple attackers |
| Tanomo | ![]() |
Large sleeves on formal tops. |
| Tanto dori | ![]() |
Knife takeaways |
| Taoshi | ![]() |
To tip over |
| Tatami | ![]() |
Mat |
| Tateki-geiko | ![]() |
Practicing with multiple attackers |
| Tateki-uchi | ![]() |
Fighting with multiple attackers |
| Tateki | ![]() |
Multiple attackers |
| Tatte | ![]() |
Raise |
| Te-no-hira | ![]() |
Palm of hand |
| Te-ura | ![]() |
Inside of wrist |
| Te-waza | ![]() |
Hand techniques (as opposed to weapons) |
| Tegatana | ![]() |
The arm as sword |
| Teisho | ![]() |
Heel of the hand |
| Tekubi | ![]() |
Wrist |
| Tenchi nage | ![]() |
Heaven and earth throw |
| Tenkan | ![]() |
Pivot |
| Tento | ![]() |
Atemi point on top of head |
| Tenugui | ![]() |
Small hand cloth to wipe face. Also worn under the helmet in Kendo. |
| Tettsui | ![]() |
Hammer fist |
| Tsukami | ![]() |
To seize (and immobilize) |
| Tsuki | ![]() |
In Aikido, usually a Chudan Oi-zuki |
| Uchi Deshi | ![]() |
A live-in student |
| Uchi-waza | ![]() |
Striking techniques |
| Uchi | ![]() |
Inside; strike |
| Uchi | ![]() |
Inside |
| Uchima | ![]() |
Distance where you can strike by taking a single step |
| Uchimata | ![]() |
The inside of the throw |
| Uchite | ![]() |
The attacker |
| Ude | ![]() |
The arm |
| Ue | ![]() |
Up |
| Uke-waza | ![]() ![]() |
Blocking techniques |
| Uke | ![]() |
Receiver of the technique (attacker) |
| Ukemi | ![]() |
Lit. "receiving with the body" |
| Uki | ![]() |
Floating |
| Ura | ![]() |
Back |
| Uraken | ![]() |
Back of fist |
| Ushiro Eri-dori | ![]() |
Neck grab from the back (usually the collar :-) |
| Ushiro Kubi shime | ![]() ![]() |
Rear choke. |
| Ushiro Ryokata dori | ![]() ![]() |
As above from the back. |
| Ushiro Ryote dori | ![]() ![]() |
As above from the back. |
| Ushiro tekubi dori | ![]() |
Wrist grab from the back. |
| Ushiro udoroshi | ![]() |
pull down from behind |
| Ushiro-waza | ![]() |
Techniques from rear attacks |
| Ushiro | ![]() |
Rearward, behind |
| Uwa gi | ![]() |
Practice top. |
| Wakarimasu | ![]() |
I understand |
| Waki gamae | ![]() |
Sword pointed down and back, for a Sutemi (sacrifice) waza. Usually sword on right side (Migi Waki gamae), left foot forward. Other purpose - hiding length of sword, especially in case of a broken one. |
| Waki | ![]() |
Side; armpit |
| Waki | ![]() |
Side; armpit |
| Wakikage | ![]() |
Atemi point in armpit |
| Yame | ![]() |
Stop |
| Yo-inbuki | ![]() |
External (power) breathing |
| Yo | ![]() |
Positive principle of nature |
| Yoi | ![]() |
Ready |
| Yoko-furumi | ![]() |
Sideward motion |
| Yoko-uchi | ![]() |
A sideward strike |
| Yoko | ![]() |
Horizontal, to the side |
| Yokomen uchi | ![]() |
Diagonal strike to the side of the head. |
| Yokomen | ![]() |
Side of the head |
| Yonkyo | ![]() |
4. principle = tekubi osae |
| Yubi | ![]() |
Finger |
| Yudansha | ![]() |
Members with dan grades |
| Yukuri | ![]() |
Slow |
| Yumi | ![]() |
A bow (archery) |
| Yuru yaka ni | ![]() |
Smooth |
| Zanshin | ![]() |
lit. "remaining spirit", balanced and aware state |
| Zekken | ![]() |
Chest patch embroidered with own name and dojo name. |
| Zengaku | ![]() |
Forehead |
| Zenpo | ![]() |
Front |
| Zenshin | ![]() |
The entire body |
| Zentai | ![]() |
Total |
| Zenwan | ![]() |
Forearm |
| Zori | ![]() |
Japanese sandals for use outside dojo. |






















,
Nidan
, Sandan
,
,
Godan
, Rokudan
,
, Hachidan
,
Kudan
,


















































































































































, gokyu
, yonkyu
, sankyu
, nikkyu
, ikkyu




















































,
Black belt 


































































































































































